二 特·巴日東太..." />
泰國(guó)河邊電影有哪些
2024-08-22 10:53:05
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劇情簡(jiǎn)介
泰國(guó)河邊電影有哪些劇情介紹:
二 特·巴日東太太
安古蘭末是個(gè)古城,建立在一座圓錐形的巖崖頂上,夏朗德河在底下的草原中蜿蜒而過。巖崖靠貝利谷方面連著一帶小山,在巴黎到波爾多的大路經(jīng)過的地方,山脈突然中斷;巖崖便是山脈的盡頭,地形象個(gè)海角,面臨三個(gè)風(fēng)景秀麗的盆地。城墻,城門,以及聶立在巖崖高處的殘余的堡壘,證明安古蘭末在宗教戰(zhàn)爭(zhēng)時(shí)代形勢(shì)重要。城市位居要沖,從前是天主教徒和加爾文教徒必爭(zhēng)之地。不幸當(dāng)年的優(yōu)勢(shì)正是今日的弱點(diǎn):城墻和陡蝻的山崖使安古蘭末沒法向夏朗德河邊伸展,變得死氣沉沉。我們這故事發(fā)生的時(shí)期,政府正往貝利谷方面擴(kuò)建城市,沿著丘陵筑起路來(lái),蓋了一所州長(zhǎng)公署,一所海軍學(xué)校和幾處軍事機(jī)關(guān)的房舍。可是商業(yè)在另一地區(qū)發(fā)展。附郭的烏莫鎮(zhèn)早在山巖下面和夏朗德河邊象一片野菌似的擴(kuò)張,巴黎到波爾多的大路就在河邊經(jīng)過。人人知道安古蘭末的紙廠名氣很大,紙廠三百年來(lái)不能不設(shè)在夏朗德河同幾條支流上有瀑布的地方。政府在呂埃鎮(zhèn)上為海軍辦著國(guó)內(nèi)規(guī)模最大的鑄炮廠。運(yùn)輸,驛站,旅館,制車,交通各業(yè),所有依靠水陸要道的企業(yè)都麇集在安古蘭末的山腳底下,避免進(jìn)城的麻煩。皮革業(yè),洗衣作,一切與水源有關(guān)的商業(yè),當(dāng)然跟夏朗德河相去不遠(yuǎn);河邊還有酒棧,從水路來(lái)的各種原料的倉(cāng)庫(kù),有貨物過境的商號(hào)。烏莫因之成為一個(gè)興旺富庶的市鎮(zhèn),可以說是第二個(gè)安古蘭末,受到上城嫉妒。政府機(jī)關(guān),主教公署,法院,貴族,集中在上城。所以烏莫鎮(zhèn)盡管活躍,勢(shì)力一天天的增長(zhǎng),終究是安古蘭末的附庸。上面是貴族和政權(quán),底下是商業(yè)和財(cái)富;無(wú)論在什么地方,這兩個(gè)陣營(yíng)總是經(jīng)常對(duì)立的;我們很難說上城和下城哪一個(gè)恨對(duì)方恨得更厲害。這局面在帝政時(shí)代還算緩和,自從王政復(fù)辟以后,九年之間變得嚴(yán)重了。住在安古蘭末上城的多半是貴族或是年代悠久,靠產(chǎn)業(yè)過活的布爾喬亞,形成一個(gè)土生土長(zhǎng),從來(lái)不容外鄉(xiāng)人插足的幫口。難得有一戶從鄰省搬來(lái)的人家,在當(dāng)?shù)刈〉絻砂倌?,和某一舊家結(jié)了親,勉強(qiáng)挨進(jìn)去,而在本地人眼中還象是昨天新來(lái)的。那些古老的家庭蹲在巖石頂上,好比多疑的烏鴉,歷屆的州長(zhǎng),稅局局長(zhǎng)和行政機(jī)關(guān),四十年來(lái)一再嘗試,想叫他們歸化;他們出席官方的舞會(huì)宴會(huì),卻始終不讓官方人士到他們家里去。他們嘴皮刻薄,專愛挑剔,又嫉妒,又嗇刻,只跟自己人通婚,結(jié)成一個(gè)緊密的隊(duì)伍,不許一個(gè)人進(jìn)去,也不許一個(gè)人出來(lái);不知道近代的享受;認(rèn)為送子弟上巴黎是斷送青年。這種謹(jǐn)慎反映出那些家庭的落后的風(fēng)俗習(xí)慣。他們抱著蔽塞的保王思想,沒有真正的宗教情緒,只曉得守齋念經(jīng),象他們住的城市和山巖一樣毫無(wú)生氣??墒窃卩徑鼛字葜畠?nèi),安古蘭末的教育頗有名氣;四周的城鎮(zhèn)把女孩子送來(lái)進(jìn)私塾,進(jìn)修道院。不難想象,等級(jí)觀念對(duì)于安古蘭末和烏莫之間的對(duì)立情緒影響極大。工商界有錢,貴族窮的居多。彼此都用輕視的態(tài)度出氣,輕視的程度也不相上下。安古蘭末的布爾喬亞也卷入旋渦。上城的商人提到城關(guān)的商人,老是用一種無(wú)法形容的口吻說:“他是烏莫鎮(zhèn)上的!”王政復(fù)辟以后,政府把貴族放在突出的地位,讓他們存著一些只有社會(huì)大變革才能實(shí)現(xiàn)的希望,因而擴(kuò)大了安古蘭末和烏莫的精神距離,比地理的距離分隔得更清楚。當(dāng)時(shí)擁護(hù)政府的貴族社會(huì),在安古蘭末比法國(guó)別的地方更褊狹。烏莫人的地位竟象印度的賤民。由此產(chǎn)生一股潛在而深刻的仇恨,不僅使一八三〇年的革命那么地令人吃驚,一致,并且把長(zhǎng)期維持法國(guó)社會(huì)秩序的各種因素摧毀了。宮廷貴族的傲慢使王上失去內(nèi)地貴族的人心,內(nèi)地貴族也傷害布爾喬亞的面子,促成他們叛離。因此,一個(gè)烏莫出身的人,藥房老板的兒子,能踏進(jìn)特·巴日東太太府上,確是一次小小的革命。這革命是誰(shuí)促成的呢?是拉馬丁和維克多·雨果,卡西米·特拉維涅和卡那利斯,貝朗瑞和夏朵勃里昂,維勒門和埃寧,蘇梅和蒂索,埃蒂安納和達(dá)佛里尼,朋雅明·公斯當(dāng)和拉美內(nèi),古尚和米旭,總之是老一輩的和小一輩的出名的文人,不分保王黨進(jìn)步黨。特·巴日東太太喜爰文學(xué)藝術(shù),那在安古蘭末是荒唐的嗜好,大家公開惋惜的怪癖;可是我們描寫那女子的身世的時(shí)候不能不為她的嗜好辯解。她是生來(lái)可以出名的,因?yàn)樘幘巢焕駴]了,她的影響決定了呂西安的命運(yùn)。
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